Joyce DiDonato – fascinating “Drama Queen” in concert in Paris
By Henning Høholt on 2/13/13 • Categorized as Classical music
Joyce DiDonato mezzo-soprano, Il Complesso Barocco, Dmitry Sinkovsky first violon and direction
A concert in the “Les Grandes Voix” seria.
. Review by Henning Høholt PARIS: The international and outstanding mezzo-soprano Joyce DiDonato, together with Il Complesso Barocco splendid led by the brilliant first violinist and conductor Dmitry Sinkovsky presented at Théâtre des Champs Élysées the brilliant program:
on patient complaints and risk factors outlined by the2. Prescription or non-prescription drug use (e.g. most viagra pill.
. Monteverdi, L’Incoronazione di Poppea, « Disprezzata regina » (Ottavia, Impératrice de Rome). Giacomelli, Merope, « Sposa, son disprezzata » (Irene, Princesse de Trébizonde). Vivaldi, Concerto pour violon et cordes RV 242 « pour Pisendel ». Orlandini, Berenice, « Da torbida procella » (Berenice, Reine de Palestine). Hasse, Antonio e Cleopatra, « Morte col fiero aspetto » (Cleopatra, Reine d’Egypte). Haendel, Giulio Cesare, « Piangero la sorte mia » (Cleopatra, Reine d’Egypte) Radamisto, Passacaglia. Porta, Ifigenia in Aulide, « Madre diletta, abbracciami » (Iphigenia, Princesse de Mycénée). Gluck, Armide, Musique de ballet : Air gracieux, Air sicilien. Haendel, Alessandro, « Brilla nell’alma » (Rossana, Princesse de Perse).
. With matching colour lipstick. Still that it looked difficult for her to walk on the too highhealed shoes. – Which reminds me of the late star soprano Ingrid Bjoner, who allways told that “good shoes is of the greatest importence”. A small detail in the orchestra outfit was the red socks for the male musicians!!!
. The audience loved her and her ensemble. Dmitry Sinkovsky played virtuosely the solopart in the Vivaldi Concerto pour violon et cordes RV 242 « pour Pisendel », in addition to several smal soloparts.
Il Complesso Barocco –
Founded in Amsterdam in 1979 by Alan Curtis
which with patience and a lot of beautiful feeling in the slow and rubato parts, and some times very flying (but well controled) tempi in the faster parts. A good solocello was also a plus, and the bassoon following the bass, gave a good basic
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