Kulturkompasset | critics of culture events

La Traviata – Anita Ekberg inspiration in Firenze




LA TRAVIATA with the role as Violetta Valery inspired from Anita Ekberg

Lippi and Dotto as Alfredo and Violetta in La Traviata in Firenze 


<div title=

Sildenafil hade en effekt in vitro på responsen hos hunden isolerade näthinnan till ett blått ljus utmaning och ändrade ERG i bedövade hundar. canadian viagra De primära effektmåtten var svar på frågorna 3 och 4 i denna IIEF frågeformulär som bedömts ‘hur ofta föremål kunde penetrera sin partner’ och ‘hur ofta föremål kunde bibehålla erektion efter penetration’..

Fördelarna med VCD terapi inkluderar dess nonpharmacologic natur, vid användning efterfrågan, brist på kontraindikationer och kostnader. viagra fast delivery 43 mg / kg per dag av Sildenafil till vuxna Wistar-råttor påverkade histologin hos lever och njurar..

Sildenafil är en hämmare av effekterna av PDE med selektivitet och potens på PDE5.Avslappning av korporal glatt muskulatur ökar efterlevnad och expansionen av lakunen utrymmena komprimerar utflödes venerna (subtunical vener) som resulterar i bibehållande av erektion. viagra kvinna.

Erektil dysfunktion är för närvarande den föredragna termen i stället för ‘impotens’ som den senare termen brist specificitet och har en negativ klang (1). sildenafil orion Celldöd i respons till toxiner förekommer som en kontrollerad händelse som involverar ett genetiskt program där kaspasenzymer är aktiverade (Waters et al..

Det fanns bevis för utvidgningar av de centrala venerna, som innehöll lyserade röda blodkroppar och cyto-arkitektonisk snedvridning av hepatocyterna och centrilobulär hemorragisk nekros.. cheapest viagra.

Kategorin med den högsta prevalensen var måttlig erektil dysfunktion med en hastighet av 25%, följt av minimal erektil dysfunktion vid 17% och fullständig erektil dysfunktion vid 10% (4).Perorala När angivna orala terapier kommer förmodligen att bli den första linjens behandling för de flesta patienter på grund av potentiella fördelar och saknar invasivt. generic cialis.

. ” width=”400″ height=”600″ /> Lippi and Dotto as Alfredo and Violetta in La Traviata in Firenze.

La Traviata by Giuseppe Verdi in Cortile di Palazzo Pitti, Firenze, Italy

2016 July 16th

Review by Fabio Bardelli, photo Opera di Firenze/Maggio Musicale Fiorentino

FIRENZE/ITALY: In the splendid setting of Palazzo Pitti Courtyard in Florence we saw an interesting performance of La Traviata by Giuseppe Verdi, an abused opera but in this occasion showing on stage some interesting ideas.

Unfortunately the performance is in a “summer season” in front of a tiny audience and not in a “normal” season of Florentine House.

From First act.

From First act.

Francesca Dotto as Violetta Valery

We start from the main character, the young Italian soprano Francesca Dotto, who has made headlines for a recent Traviata at Teatro dell’Opera di Roma (a performance whose costumes were by the famous fashion designer Valentino).

Her voice is rather uneven, a bit empty in the lower register but takes shape as it rises upward. Perhaps the voice is not particularly beautiful or full bodied (also seems lacking in harmonics) but the soprano undoubtedly shows a great taste in singing and comes out well from the second act, after some forced notes at the beginning of the opera. Mrs Dotto’s acting is very interesting and the singer is fully believable in the first act when the director asks her to interpret an authentic “Violetta Ekberg” with blonde wig and acting that recall the famous Swedish actress Anita Ekberg taking a bath in Fontana di Trevi.

The soprano shows an always varied and interesting phrasing, and after a good performance of the duet with baritone, in the third act gives us an Addio del passato characterized by an absolutely exemplary and moving legato and by a perfect mastery of the voice.

Matteo Lippi as Alfredo Germont

Matteo Lippi, right, and Francesca Dotto in last act.

Matteo Lippi, right, and Francesca Dotto in last act.

The tenor Matteo Lippi shows a pleasant but not always well sustained voice and his character isn’t much more than rather correct, besides being scenically really unremarkable

risk in diabetics. amoxil changing life segreteria@aemmedi.it.

. To note the reopening of the rather usual cut of the cabaletta O mio rimorso, but missing the final high note.

Simone del Savio as Giorgio Germont

Flora in second act.

Flora in second act.

Baritone Simone del Savio puts on display a voice with a great volume so compensating the lacking of finesse and imagination in singing

orgasm) increases the tone of the helicine arteries and the viagra for sale This module reflects the initial scientific discussion for the approval of VIAGRA..

.
The rest of the cast was overall more than acceptable.

Fabrizio Maria Carminati – conductor

Last act.

Last act.

The conductor Fabrizio Maria Carminati has a rather schematic idea of this opera. Shows a good theatrical pace, the score is complete even with some parts often cut including tenor’s and baritone’s cabalettas, and holds very well chorus orchestra and stage. We could only blame a certain mechanical quality (this also affected the singers) and low propensity for softness and colors, but the orchestra is always very alive and present, as well as we find always the sense of drama even if reached more with the fast pacing of the nervous orchestra, that with orchestral swellings.

Globally a real tribute to Federico Fellini.traviata firenze photo 2 Dotto, final Act 1

Undoubtedly the most interesting and curious side of this Florentine Traviata is the staging by director Alfredo Corno with scenes of Angelo Sala and the functional costumes by Alfredo Corno and Angelo Sala, globally a real tribute to Federico Fellini.

The story takes place on a Cinecittà film set with Violetta in the role of Anita Ekberg in La Dolce Vita, Alfredo and Giorgio Germont are both actors, and many Fellini characters occupy the stage: Gastone is Paparazzo, two mimes are the Fool and Gelsomina, Giorgio Germont wears a Casanova mask, then there are a tamer, drag queens, busty breast women like the Saraghina, bishops and cardinals.

Francesca Dotto as Violeta Valery

Francesca Dotto as Violeta Valery

First of all we have to forget the many arm-twistings, the Paris hints (while we are obviously in Rome), or real nonsense as Alfredo who enters Violetta’s bedroom in the last scene bringing some flowers (and Giorgio Germont with a gift …), or Violetta who smokes being ill of tuberculosis, or Barone Douphol pulling a punch in Alfredo’s stomach, not to say about Annina who at the end of the opera appears dressed as a nun.

Alfredo Corno – staging

But we must say that once inside the mechanism the staging by Alfredo Corno is interesting and engaging. Unfortunately, not all acts are at the same level of inventiveness: the first act and the second scene of the second act are surely the better ones. Of course Amami Alfredo scene in a dining room with an old black and white television makes a strange impression, but the final scene of the second act with the Fool and Gelsomina cheering Violetta is full of poetry and nearly clever.

Matteo Lippi, left, and Francesca Dotto in second act.

Matteo Lippi, left, and Francesca Dotto in second act.

The Orchestra del Maggio Musicale Fiorentino and the Chorus trained by Lorenzo Fratini were really very good.

 Production:

Direttore, Fabrizio Maria Carminati
Regia, Alfredo Corno
Scene, Angelo Sala
Costumi, Alfredo Corno e Angelo Sala
Luci, Alessandro Tutini

Coreografia, Lino Privitera

Maestro del Coro, Lorenzo Fratini

Orchestra e Coro del Maggio Musicale Fiorentino

Violetta, Francesca Dotto
Alfredo Germont, Matteo Lippi
Giorgio Germont, Simone Del Savio
Flora, Ana Victória Pitts

Gastone, Patrick Kabongo Mubenga
Barone Douphol, Dario Shikhmiri
Marchese d’Obigny, Qianming Dou
Dottor Grenvil, Pavlo Balakin
Annina, Eunhee Kim

Giuseppe, Leonardo Melani

Domestico di Flora, Nicolò Ayroldi

Commissionario, Nicola Lisanti

 


Tagged as: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,