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London Symphony Orchestra with Bernard Haitink and Alina Ibragimova



POETIC MAHLER with

London Symphony Orchestra, Bernard Haitink and Alina Ibragimova

By Henning Høholt, text and photos.

Alina Ibragimova og Bernard Haitink, London Symphony Orchestra, Mozart 3, Paris 16.6.2015. Foto Henning Høholt

Alina Ibragimova og Bernard Haitink, London Symphony Orchestra, Mozart 3, Paris 16.6.2015. Foto Henning Høholt

PARIS/FRANCE: London Symphony Orchestra conduted by Bernard Haitink, with Alina Ibragimova as soloist in Mozarts 3rd. Violin concert, followed up by the beautiful Gustav Mahler Symphony no 1. 

Mahler: It was like poetry, and surprisingly, to enjoy Mahlers 1st. symphony. Carefully like wakening up an early morning after a good nights sleep, started the 1st. Mahler Symphoni with the significant trumpet fanfares by thre trumpets of stage. From this delicieuose opening it all developed brilliantlywith all the folcloristic details that Mahler included in his musically vocabulaire.

London Symphony Orchestra, Bernard Haitink, (left in the picture) Philharmonie de Paris, 16.6.15. Mahler 1.Symphony, Foto Henning Høholt

London Symphony Orchestra, Bernard Haitink, (left in the picture) Philharmonie de Paris, 16.6.15. Mahler 1.Symphony, Foto Henning Høholt

Bernard Haitink let the orchestra get enough time to develope and in detil underline the moods, but also in between pushing the music forward in an elegant way, and in this way like a play going on between conductor, musicians and audience. Still we know all what was going to happen, but we were still like waiting,“When shal this happen”, a briljiant masterly way of forming it all

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Mozart: Another of the MM´s, The young Wolfgang Amadeus Mozarts 2nd. violin concerto, composed in 1775, with Alina Ibragimova as soloist opened the evenings program, beautifully and brilliant played, with many well formed details and fantastic made cadenses, which lifted it all to a high experience.

Philharmonie de Paris, 16.6.2015, foto Henning Høholt

Philharmonie de Paris, 16.6.2015, foto Henning Høholt

It was a pleasure to note that in this “chambermusically” context Mr. Haitink has reduced the size of the string part of the orchestra much closer to what I expect was the more normal at his time, 8 first violins. 6 second, 4 bratch, 3 celli and 2 basses

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.  That made the correct balanche between the solist and the orchestra.

 

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