Napoli at Garnier with Royal Danish Ballet
NAPOLI – Ballet in three acts
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. Choreography August Bournonville.
Susanne Grinder og Ulrik Birkkjær i Napoli, foto: Costian Radu
PARIS: The guest company in January 2012 at the Palais Garnier, the Royal Danish Ballet, presents a reinterpretation of a great ballet from its August Bournonville repertoire where tradition never ceases to live and evolve
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. One of Auguste Bournonville’s masterpiece in the repertoire of the Royal Danish Ballet, Napoli has been re-worked by Nikolaj Hübbe who moves the story to the streets of 1950s Naples.
August Bournonville, the Danish dancer, ballet master and choreographer of French origin, lent his identity to the Royal Danish Ballet and gave it a style in keeping with the rigour and grace of the French School.
First presented in Copenhagen in 1842, Napoli established itself as the choreographer’s masterpiece and became emblematic of Danish romanticism, with a first act anchored in reality and a second act inviting us into the supernatural world. Performed ever since by the company since its creation, Napoli was re-worked in 2009 by Nikolaj Hübbe, its current artistic director
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With the complicity of Sorella Englund, he moved the adventures of Teresina and her fiancé, the fisherman Gennaro, to the streets of 1950s Naples and completely expunged all hint of divine intervention. For its fourth visit to the Palais Garnier, the Royal Danish Ballet presents a reinterpretation of a great ballet from its repertoire whose tradition never ceases to live and evolve
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Napoli, last act, Royal Danish Ballet, foto Costian Radu
| Music by: Edvard Helsted, Holger Simon Paulli, Hans Christian Lumbye | |
| Louise Alenius Boserup | Act II Music |
| Sorella Englund, Nikolaj Hübbe | Choreography and staging after August Bournonville |
| Maja Ravn | Sets and costumes |
| Anton Liep | Graphic creations |
| Mikki Kunttu | Lighting |
| Camilla Hübbe | Dramaturgy |
Orchestre Colonne
David Levi Conductor