In  I found a DANCE REVIEW By GIA KOURLAS, with the titel:

Futuristic Face-Off Caps a Four-Part Program

Published: October 7, 2010

DANIEL PROIETTO

The finest contribution was “AfterLight Part 1,” an American premiere by the British choreographer Russell Maliphant. A solo for Daniel Proietto, the eerie work recalled languorous images of Nijinsky (it was inspired by his drawings and paintings). Standing in virtual darkness, Mr. Proietto slowly rotated in the center of the stage while bathed in a moving pool of animation by Jan Urbanowski (the original design concept is by Michael Hulls with Es Devlin).

As the first four parts of Erik Satie’s “Gnossiennes” played, Mr. Proietto unfurled an arm, twisting his torso and lingering for a moment as if floating in space

. Later, he flitted across the stage on his knees, gliding through the swirling animations as if fighting his way through fog. When he returned to the center, Mr. Proietto — perhaps in the way Nijinsky must have felt himself — was as distant and remote as a figure in a music box. It was enchanting
.

Fall for Dance continues through Saturday at City Center, 131 West 55th Street, Manhattan; (212) 581-1212, nycitycenter.org.

From The British Theatre Guide:

Daniel Proietto in After Light. Photo: Hugo Glendinning

Russell Maliphant has developed his breathtaking fifteen-minute solo piece AfterLight, part of last year’s In the Spirit of Diaghilev programme, into a deceptively serene full-length one-hour ballet for a trio of dancers.

Please do note the critic of the whole performance with DanialProietto as one of the dancers at  http://www.britishtheatreguide.info/reviews/afterlight-rev.htm written by Vera Liber from their performance at Saddler´s Wells, from where the introduction line is taken.